Showing posts with label Bangla Movies. Show all posts
Showing posts with label Bangla Movies. Show all posts
Mono Gamy Bangla Movies 2024

Mono Gamy Bangla Movies 2024

Mono Gamy

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‘āĻŽāύ⧋āĻ—āĻžāĻŽā§€â€™āϤ⧇ āĻĻ⧇āĻ–āĻž āϝāĻžāĻŦ⧇ āĻœā§‡āĻĢāĻžāϰ āĻ“ āϚāĻžā§āϚāϞ āϚ⧌āϧ⧁āϰ⧀āϕ⧇āĨ¤ āϚāϰāĻ•āĻŋ


‘āĻŽāύ⧋āĻ—āĻžāĻŽā§€â€™āϤ⧇ āĻĻ⧇āĻ–āĻž āϝāĻžāĻŦ⧇ āĻœā§‡āĻĢāĻžāϰ āĻ“ āϚāĻžā§āϚāϞ āϚ⧌āϧ⧁āϰ⧀āϕ⧇āĨ¤ āϚāϰāĻ•āĻŋ

āφāϰ āĻŽāĻžāĻ¤ā§āϰ āĻ•ā§Ÿā§‡āĻ• āϘāĻŖā§āϟāĻžāĨ¤ āφāϜ āĻŦ⧁āϧāĻŦāĻžāϰ āϰāĻžāϤ⧇āχ āĻŽā§āĻ•ā§āϤāĻŋ āĻĒāĻžāĻšā§āϛ⧇ āĻŽā§‹āĻ¸ā§āϤāĻĢāĻž āϏāϰ⧟āĻžāϰ āĻĢāĻžāϰ⧁āϕ⧀āϰ āĻ“ā§Ÿā§‡āĻŦ āĻĢāĻŋāĻ˛ā§āĻŽ ‘āĻŽāύ⧋āĻ—āĻžāĻŽā§€â€™āĨ¤ āĻŽā§āĻ•ā§āϤāĻŋāϰ āφāϗ⧇āχ āύāĻžāύāĻž āĻ•āĻžāϰāϪ⧇ āĻ›āĻŦāĻŋāϟāĻŋ āφāϞ⧋āϚāύāĻžā§Ÿ āĻ›āĻŋāϞāĨ¤ āĻāĻŽāύāĻŋāϤ⧇ āύāĻ¨ā§āĻĻāĻŋāϤ āĻāχ āύāĻŋāĻ°ā§āĻŽāĻžāϤāĻžāϰ āύāϤ⧁āύ āĻ•āĻžāϜ āύāĻŋā§Ÿā§‡ āĻ­āĻ•ā§āϤ-āĻĻāĻ°ā§āĻļāϕ⧇āϰ āĻĒā§āϰāĻŦāϞ āφāĻ—ā§āϰāĻš āĻĨāĻžāϕ⧇āĨ¤ āϏāĻ‚āĻ—āϤ āĻ•āĻžāϰāϪ⧇ āĻĻāĻ°ā§āĻļāϕ⧇āϰāĻ“ āφāĻ—ā§āϰāĻš āĻŦāĻžā§œāϤ⧇ āĻĨāĻžāϕ⧇ ‘āĻŽāύ⧋āĻ—āĻžāĻŽā§€â€™ āϘāĻŋāϰ⧇āĨ¤ āφāϜ āĻ…āĻĒ⧇āĻ•ā§āώāĻžāϰ āĻ…āĻŦāϏāĻžāύ āϘāϟāϤ⧇ āϝāĻžāĻšā§āϛ⧇āĨ¤
āĻ—āϤ āĻŦāĻ›āϰ⧇āϰ ā§Š āφāĻ—āĻ¸ā§āϟ āĻāĻ• āϜāĻŽāĻ•āĻžāϞ⧋ āĻ…āύ⧁āĻˇā§āĻ āĻžāύ⧇ āϚāϰāĻ•āĻŋ āĻ˜ā§‹āώāĻŖāĻž āĻĻā§‡ā§Ÿ ‘āĻŽāĻŋāύāĻŋāĻ¸ā§āĻŸā§āϰāĻŋ āĻ…āĻŦ āϞāĻžāĻ­â€™ āύāĻžāĻŽā§‡ āĻāĻ•āϟāĻŋ āĻĒā§āϰāĻ•āĻ˛ā§āĻĒ⧇āϰāĨ¤ āϜāĻžāύāĻžāύ⧋ āĻšā§Ÿ, ⧧⧍ āϜāύ āϜāύāĻĒā§āϰāĻŋ⧟ āύāĻŋāĻ°ā§āĻŽāĻžāϤāĻž ⧧⧍āϟāĻŋ āĻ­āĻžāϞ⧋āĻŦāĻžāϏāĻžāϰ āĻ—āĻ˛ā§āĻĒ āύāĻŋā§Ÿā§‡ āϚāϰāĻ•āĻŋāϤ⧇ ⧧⧍āϟāĻŋ āĻ…āϰāĻŋāϜāĻŋāύāĻžāϞ āĻĢāĻŋāĻ˛ā§āĻŽ āĻŦāĻžāύāĻžāĻšā§āϛ⧇āύāĨ¤ āĻĒ⧁āϰ⧋ āĻĒā§āϰāĻ•āĻ˛ā§āĻĒ⧇āϰ āϏāĻžāĻ°ā§āĻŦāĻŋāĻ• āϤāĻ¤ā§āĻ¤ā§āĻŦāĻžāĻŦāϧāĻžāύ⧇ āĻĨāĻžāĻ•āϛ⧇āύ āĻŽā§‹āĻ¸ā§āϤāĻĢāĻž āϏāϰ⧟āĻžāϰ āĻĢāĻžāϰ⧁āϕ⧀āĨ¤ ‘āĻŽāύ⧋āĻ—āĻžāĻŽā§€â€™ ⧧⧍āϟāĻŋ āϚāϰāĻ•āĻŋ āĻ…āϰāĻŋāϜāĻŋāύāĻžāϞ āĻĢāĻŋāĻ˛ā§āĻŽā§‡āϰ āĻāĻ•āϟāĻŋāĨ¤ āĻāϕ⧇āϰ āĻĒāϰ āĻāĻ• āϚāĻŽāĻ• āύāĻŋā§Ÿā§‡ ‘āĻŽāύ⧋āĻ—āĻžāĻŽā§€â€™ āĻŦāĻžāύāĻŋā§Ÿā§‡āϛ⧇āύ āĻŽā§‹āĻ¸ā§āϤāĻĢāĻž āϏāϰ⧟āĻžāϰ āĻĢāĻžāϰ⧁āϕ⧀āĨ¤

āĻĢāĻžāϰ⧁āϕ⧀ āĻĒāϰāĻŋāϚāĻžāϞāĻŋāϤ ‘āĻŽāύ⧋āĻ—āĻžāĻŽā§€â€™āϰ āĻĒā§āϰāĻĨāĻŽ āϚāĻŽāĻ• āĻ›āĻŋāϞ⧇āύ āϚāĻžā§āϚāϞ āϚ⧌āϧ⧁āϰ⧀āĨ¤ āĻĻā§€āĻ°ā§āϘāĻĻāĻŋāύ āĻĒāϰ āĻāχ āϏāĻŋāύ⧇āĻŽāĻž āĻĻāĻŋā§Ÿā§‡ āĻāĻ•āϏāĻ™ā§āϗ⧇ āĻ•āĻžāϜ āĻ•āϰāĻžāϰ āĻ˜ā§‹āώāĻŖāĻž āφāϏ⧇ āĻĢāĻžāϰ⧁āϕ⧀ āĻ“ āϚāĻžā§āϚāϞ⧇āϰāĨ¤


āωāĻĻāĻžāϰ āĻ›āĻŋāϞ⧇āύ āĻāĻŦāĻ‚ āϏāĻšāϝ⧋āĻ—āĻŋāϤāĻž āĻ•āϰ⧇āϛ⧇āύ, āĻ•āĻžāϜāϟāĻž āφāĻŽāĻžāϰ āϜāĻ¨ā§āϝ āĻŦā§āϝāĻžāĻĒāĻ• āϰ⧋āĻŽāĻžāĻžā§āϚāĻ•āϰ āĻšā§Ÿā§‡āϛ⧇āĨ¤â€™

āϚāϰāĻ•āĻŋāϰ āĻĒā§āϰāϧāĻžāύ āύāĻŋāĻ°ā§āĻŦāĻžāĻšā§€ āĻ•āĻ°ā§āĻŽāĻ•āĻ°ā§āϤāĻž āϰ⧇āĻĻāĻ“ā§ŸāĻžāύ āϰāύāĻŋ āĻŦāϞ⧇āύ, ‘āĻĻ⧇āĻ–āϤ⧇ āĻĻ⧇āĻ–āϤ⧇ āĻŽāĻŋāύāĻŋāĻ¸ā§āĻŸā§āϰāĻŋ āĻ…āĻŦ āϞāĻžāϭ⧇āϰ āϤ⧃āĻ¤ā§€ā§Ÿ āϏāĻŋāύ⧇āĻŽāĻž āϰāĻŋāϞāĻŋāĻœā§‡āϰ āĻĒāĻĨ⧇āĨ¤ āĻĒā§āϰāĻĨāĻŽ āĻĻ⧁āϟāĻŋ āϏāĻŋāύ⧇āĻŽāĻž āĻĻāĻ°ā§āĻļāĻ• āĻŦ⧇āĻļ āĻĒāĻ›āĻ¨ā§āĻĻ āĻ•āϰ⧇āϛ⧇āύāĨ¤ āφāĻļāĻž āĻ•āϰāĻ›āĻŋ, āĻĻāĻ°ā§āĻļāĻ• āĻāĻŦāĻžāϰ “āĻŽāύ⧋āĻ—āĻžāĻŽā§€â€āϰ āĻŽāĻ§ā§āϝ āĻĻāĻŋā§Ÿā§‡ āφāϗ⧇āϰ āĻĢāĻžāϰ⧁āϕ⧀ āĻ­āĻžāĻ‡ā§Ÿā§‡āϰ āύāĻŋāĻ°ā§āĻŽāĻžāĻŖ āϖ⧁āρāĻœā§‡ āĻĒāĻžāĻŦ⧇āύāĨ¤â€™


‘āĻŽāύ⧋āĻ—āĻžāĻŽā§€â€™āϰ āϝ⧇āĻŽāύ āĻāĻ•āϟāĻž āĻ—āĻ˛ā§āĻĒ āφāϛ⧇, āϤ⧇āĻŽāύāĻŋ āĻŽāύ⧋āĻ—āĻžāĻŽā§€ āύāĻŋā§Ÿā§‡āĻ“ āĻ—āĻ˛ā§āĻĒ āφāϛ⧇āĨ¤ āϏāĻŽā§āĻĒā§āϰāϤāĻŋ āĻāĻ• āϏāĻ‚āĻŦāĻžāĻĻ āϏāĻŽā§āĻŽā§‡āϞāύ⧇ āĻļāĻŋāĻ˛ā§āĻĒā§€, āύāĻŋāĻ°ā§āĻŽāĻžāϤāĻž, āĻĒā§āϰāϝ⧋āϜāĻ• āϤāĻŋāĻļāĻž āϜāĻžāύāĻŋā§Ÿā§‡āϛ⧇āύ, āĻ›āĻŦāĻŋāϤ⧇ āϏāĻ‚āĻ—ā§€āϤāĻļāĻŋāĻ˛ā§āĻĒā§€ āĻœā§‡āĻĢāĻžāϰāϕ⧇ āĻ•āĻžāĻ¸ā§āϟ āĻ•āϰ⧇āϛ⧇ āϤāĻŋāĻļāĻž-āĻĢāĻžāϰ⧁āϕ⧀āϰ āĻŽā§‡ā§Ÿā§‡ āχāϞāĻšāĻžāĻŽāĨ¤ āĻŽā§‹āĻ¸ā§āϤāĻĢāĻž āϏāϰ⧟āĻžāϰ āĻĢāĻžāϰ⧁āϕ⧀ āĻĻā§€āĻ°ā§āϘāĻĻāĻŋāύ āϧāϰ⧇ ‘āĻŽāύ⧋āĻ—āĻžāĻŽā§€â€™āϰ āϜāĻ¨ā§āϝ āĻ•āĻžāĻ¸ā§āϟāĻŋāĻ‚ āϖ⧁āρāϜāĻ›āĻŋāϞ⧇āύāĨ¤ āύāϤ⧁āύ āĻŽā§āϖ⧇āϰ āĻ•āĻžāωāϕ⧇ āĻĒā§āĻ°ā§Ÿā§‹āϜāύāĨ¤ āχāϞāĻšāĻžāĻŽ āϤāĻ–āύ āĻœā§‡āĻĢāĻžāϰ⧇āϰ ‘āĻā§āĻŽāĻ•āĻžâ€™ āĻ—āĻžāύāϟāĻŋ āύāĻŋ⧟āĻŽāĻŋāϤ āĻļā§‹āύ⧇āĨ¤ āĻāχ āĻ—āĻžāύ āύāĻž āĻļ⧁āύāϞ⧇ āϏ⧇ āύāĻžāĻ•āĻŋ āĻ–āĻžāĻŦāĻžāϰ āĻ–āĻžā§Ÿ āύāĻžāĨ¤ āĻĢāĻžāϰ⧁āϕ⧀ āĻāĻ•āĻĻāĻŋāύ āĻ–ā§‡ā§ŸāĻžāϞ āĻ•āϰ⧇ āĻĻ⧇āĻ–āϞ⧇āύ, ‘āϞāĻžāĻŽāĻŋ⧟āĻžâ€™ āϚāϰāĻŋāĻ¤ā§āϰ⧇āϰ āϝ⧇āĻŽāύ āĻ•āĻžāĻ¸ā§āϟāĻŋāĻ‚ āϤāĻŋāύāĻŋ āϖ⧁āρāϜāĻ›āĻŋāϞ⧇āύ, āĻœā§‡āĻĢāĻžāϰ āϤāĻžāϰ āϏāĻ™ā§āϗ⧇ āĻāĻ•āĻĻāĻŽ āĻŽāĻžāύāĻŋā§Ÿā§‡ āϝāĻžāύāĨ¤ āϏ⧇āχ āĻ—āĻ˛ā§āĻĒ⧇āϰ āĻ•āĻĨāĻž āĻœā§‡āĻĢāĻžāϰāĻ“ āĻŦāϞāϞ⧇āύ, āϝ⧋āĻ— āĻ•āϰāϞ⧇āύ āϤāĻžāρāϰ ā§§ā§Ē āĻŦāĻ›āϰ⧇āϰ āĻšā§‡ā§ŸāĻžāϰāĻ¸ā§āϟāĻžāχāϞ āĻĒāϰāĻŋāĻŦāĻ°ā§āϤāύ⧇āϰ āĻ•āĻĨāĻžāĨ¤ āĻœā§‡āĻĢāĻžāϰ āϝāĻ–āύ ‘āĻŽāύ⧋āĻ—āĻžāĻŽā§€â€™āϤ⧇ āĻ…āĻ­āĻŋāĻ¨ā§Ÿā§‡āϰ āĻĒā§āϰāĻ¸ā§āϤāĻžāĻŦ āĻĒāĻžāύ, āϤāĻ–āύ āĻŦ⧇āĻļ āĻ…āĻŦāĻžāĻ•āχ āĻšā§Ÿā§‡āĻ›āĻŋāϞ⧇āύ āĻŦāϞ⧇ āϜāĻžāύāĻžāύ āϤāĻŋāύāĻŋāĨ¤



āĻœā§‡āĻĢāĻžāϰ āĻŦāϞ⧇āύ, ‘āĻĢāĻžāϰ⧁āϕ⧀ āĻ­āĻžāĻ‡ā§Ÿā§‡āϰ āϏāĻŋāύ⧇āĻŽāĻž āĻ“ āϚāĻžā§āϚāϞ āĻ­āĻžāĻ‡ā§Ÿā§‡āϰ āĻŦāĻŋāĻĒāϰ⧀āϤ⧇ āĻ…āĻ­āĻŋāύ⧟ āĻ•āϰāϤ⧇ āĻšāĻŦ⧇, āϏāĻŦ āĻŽāĻŋāϞāĻŋā§Ÿā§‡ āφāĻŽāĻŋ āĻĒā§āϰāĻĨāĻŽā§‡ āĻŦāĻŋāĻļā§āĻŦāĻžāϏ āĻ•āϰāϤ⧇ āĻĒāĻžāϰāĻŋāύāĻŋāĨ¤â€™ āĻ—āĻ˛ā§āĻĒ⧇ āĻ—āĻ˛ā§āĻĒ⧇ āϤāĻŋāύāĻŋ āφāϰāĻ“ āĻŦāϞ⧇āύ, ‘āĻĢāĻžāϰ⧁āϕ⧀ āĻ­āĻžāχ āϝāĻ–āύ āφāĻŽāĻžāϕ⧇ āĻŦāϞ⧇āύ āϝ⧇ āφāĻŽāĻžāϰ āϚ⧁āϞ⧇āϰ āĻ¸ā§āϟāĻžāχāϞ āĻĒāϰāĻŋāĻŦāĻ°ā§āϤāύ āĻ•āϰāϤ⧇ āĻšāĻŦ⧇, āϤāĻ–āύ āφāĻŽāĻŋ āφāϰāĻ“ āĻŸā§‡āύāĻļāύ⧇ āĻĒā§œā§‡ āϝāĻžāχāĨ¤ ā§§ā§Ē āĻŦāĻ›āϰ āϧāϰ⧇ āφāĻŽāĻžāϰ āϚ⧁āϞ⧇āϰ āĻāχ āĻ¸ā§āϟāĻžāχāϞ āĻāĻ•āχ āϰāĻ•āĻŽāĨ¤ āĻĢāĻžāϰ⧁āϕ⧀ āĻ­āĻžāχ āĻŦāϞ⧇āύ āϤāĻžāρāϕ⧇ āĻŦāĻŋāĻļā§āĻŦāĻžāϏ āĻ•āϰāϤ⧇āĨ¤ āφāĻŽāĻŋ āĻļ⧁āϧ⧁ āϤāĻžāρāϰ āĻ•āĻĨāĻžāĻŽāϤ⧋ āϏāĻŦ āĻ•āϰ⧇āĻ›āĻŋāĨ¤â€™


Rajkumar Bangla Movies 2024

Rajkumar Bangla Movies 2024

 Rajkumar 

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Director: Himel Ashraf

Writer: Himel Ashraf

Stars: Shakib Khan. Courtney Coffey. Collin Chiucchini


Rajkumar Full Movie Review :






R Rajkumar is an adrenaline-fueled rollercoaster ride that left me absolutely thrilled from start to finish. This movie is a perfect blend of action, comedy, and romance, making it a complete entertainer for all types of moviegoers.

First and foremost, Shahid Kapoor's performance as Rajkumar is outstanding. He embodies the character with such energy and charisma that it's impossible not to root for him. His impeccable dancing skills add a unique charm to the film, making the dance sequences an absolute treat to watch.

Sonakshi Sinha, as the feisty Chanda, is a delight to watch. Her chemistry with Shahid Kapoor is sizzling, and their playful banter adds a refreshing touch to the film's storyline. The two leads share a dynamic on-screen presence that keeps you engaged throughout.

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Prabhu Deva's direction deserves special mention. He has masterfully crafted every action sequence, infusing them with his trademark choreography. The fight scenes are intense and exhilarating, with some jaw-dropping stunts that will leave you on the edge of your seat. The music, composed by Pritam, complements the film beautifully, with foot-tapping songs that stay with you long after the movie ends.

What sets R Rajkumar apart is its ability to seamlessly transition between high-octane action and light-hearted humor. The dialogues are witty, and the one-liners are sure to make you laugh out loud. The film doesn't take itself too seriously, and that's part of its charm.

Overall, R Rajkumar is a complete package that delivers non-stop entertainment. If you're looking for a Bollywood movie that combines action, romance, and comedy in the most entertaining way possible, this is a must-watch. It's a perfect weekend getaway from reality, and I guarantee you'll leave the theater with a smile on your face. Highly recommended!


Mirza new movies đŸŽĨ

Mirza new movies đŸŽĨ

MIRZA MOVIE

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Mirza full Reviews




At first, Mirza seems to be another action film about drugs and drug lords. But the Sumeet-Saahil director duo, with a fast-paced screenplay by Arnab Bhaumik and witty dialogues, manages to keep the film engaging and interesting despite its runtime of almost three hours. Mirza opens with Kolkata reeling under the spread of a new drug called Chill Pill, which is being smuggled into Bengal. Kaustav (Rishi Kaushik) is a senior police officer who sets out to identify the key players involved. The first two are a father and son duo, Sultan (Kaushik Ganguly) and Azhar (Shoaib Kabeer), whose agenda and affiliations are clear. However, then comes Mirza (Ankush Hazra), and here, the police get confused about his motive and connections.


With a script focused more on speed than logic, it’s difficult to relate to the connections made and relationships built, leaving gaps in the narrative that perhaps the director duo wants to address in a sequel (quite clearly since this is Part 1 – The Joker). Snatches from Mirza’s past embedded in the storyline slowly establish him to be a man with a plan. Ankush does a good job in the titular role, and his sense of comic timing is a bonus, not to mention the action sequences that are long drawn out, and well-shot. Kaushik Ganguly does a fair job as the merciless Sultan, but what draws attention is Oindrila Sen’s Muskaan – a feisty role that establishes her as a solid action actor. Though her character is quite dark, Oindrila’s performance stands out, especially in the second half. In a short but important role, Shantilal Mukherjee is impeccable as Officer Murshid. A special mention also must go to the child actors whose presence adds to the story consistently.


With a script focused more on speed than logic, it’s difficult to relate to the connections made and relationships built, leaving gaps in the narrative that perhaps the director duo wants to address in a sequel (quite clearly since this is Part 1 – The Joker). Snatches from Mirza’s past embedded in the storyline slowly establish him to be a man with a plan. Ankush does a good job in the titular role, and his sense of comic timing is a bonus, not to mention the action sequences that are long drawn out, and well-shot. Kaushik Ganguly does a fair job as the merciless Sultan, but what draws attention is Oindrila Sen’s Muskaan – a feisty role that establishes her as a solid action actor. Though her character is quite dark, Oindrila’s performance stands out, especially in the second half. In a short but important role, Shantilal Mukherjee is impeccable as Officer Murshid. A special mention also must go to the child actors whose presence adds to the story consistently.


However, the film becomes predictable after a point, with hidden agendas and connections established throughout the story, and though cool plot twists keep the action coming, logic often takes a backseat.
The music is fun to listen to, with the romantic Ghalib (Ishan Mitra) and the peppy Elo Mirza (Amit Mishra, Aneek Dhar) being standouts. Overall, the film is an action-packed commercial entertainer with good performances and plenty of indications for a sequel.





Hubba Bangla Movies

Hubba Bangla Movies

Hubba Bangla Movies

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Director:Bratya Basu

Writer:Bratya Basu

Stars:Mosharraf KarimIndraneil SenguptaLoknath Dey

Hubba Movie Review:


With Hubba, director Bratya Basu explores the world of the infamous Hubba Shyamal Das, who was also known as the Dawood Ibrahim of Hoogly. Here, the names have been changed a bit, where Shyamal becomes Bimal, but the director tries to stay true to the way the crime boss grew to become the terrifying entity he was.
As the film traces the life of Bimal (Mosharraf Karim) and his gang, the timeline shifts between his growing up years, how he creates a faction that slowly starts emerging strong as a crime gang that has multiple ins into the local political scene as well as the police. As he gets away with one crime after another, one may even at times feel sympathy for him, thanks to the way the director builds up Hubba’s character and charisma.

Mosharraf Karim (who was recently seen in Mobaroknama), has previously worked with Bratya Basu’s Dictionary, and the shift in his character here is remarkable. He seamlessly fits into the role of Hubba Bimal and owns it. It’s a treat to watch him, as he executes one heinous crime after another, or watches Sarkar in an empty hall he has booked. On the opposite end is Divakar Sen, a tough cop who is called in to find and arrest the elusive Hubba Bimal. Indraneil Sengupta as Divakar is a great foil to Bimal, the contrast and tension between the two is really good to watch on screen, not just in the way they look, but also through their conversations. As Bapi, Loknath Dey plays a crucial role in balancing the madness and terror that Bimal often brings to the table.


Although the timeline shows a period between 1975 and 2005, the settings don’t match up during certain sequences to the early-2000s period, which often takes away from the intensity of the drama. That said, the screenplay moves along at a brisk pace and the music has been used judiciously to give a retro feel to certain parts of the movie (like the song Mungda). There’s a good deal of violence in the course of the film (which isn’t surprising considering a don’s life), and cinematographer Soumik Halder shoots it well. The violence is required to show the way they would execute people, and also to emphasise upon the ruthlessness, despite the funny moments. The pace of the film is brisk and engaging, and overall, Hubba is an interesting watch.


āĻ…āϏāĻŽāϝāĻŧ āĻĢ⧁āϞ āĻŽā§āĻ­āĻŋ

āĻ…āϏāĻŽāϝāĻŧ āĻĢ⧁āϞ āĻŽā§āĻ­āĻŋ


 āĻ…āϏāĻŽāϝāĻŧ āĻĢ⧁āϞ āĻŽā§āĻ­āĻŋ

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āĻĒā§āϰ⧋āĻĄāĻžāĻ•āĻļāύ : āĻŦāĻ™ā§āĻ—ā§‹

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